Skip to main content

How I see The North Laine.


Aside from the beach, The North Laine area  is probably one of the most recognised and photographed areas of Brighton. Calenders, travel books, Beautiful Britain pamphlets & posters, Lonely Planet guides - there's always pics. of the outdoor cafes, fabulous graffiti, unconventional people and crazy inventions.



I love the North Laine - but I tend to look at it through different lenses each time I'm there. At The Regency Town House we have a huge data-base of knowledge about how North Laine grew, the people for whom the houses were built, those which doubled as schools, pubs, grocers, dressmakers, and information about all the people who lived in them.    But what about this?

Did people move into these from Brighton slum areas? Was this the first time some people had proper kitchens instead of dank cellars? Did they luxuriate in heated rooms for the first time? And did they feel a sense of release and even Overlordship, gazing down into the crammed and thronging streets of North Laine so far below?


And who was in the architects mind when this North Laine building first went up?  Was it meant for Brightonians, or was it built to cope with the influx of people moving here from other centres?  Were the 8-pane windows and bow treatments meant to blend in with the idea of a Regency Brighton? Was it expected to slot seamlesslessy into place in the North Laine?


And this scruffy mish-mash - what was it all about? The token rounded tower - another nod to Brighton themes, perhaps? An attempt to introduce modernism into the old streets? Was it hoped that the building would seed itself and lead to other red-bricks re-defining the North Laines? Or was it, too, incongruously slipped down a side-street in the hope that no-one would notice?


When this lofty building went up was it part of a Victorian kind of gentrification? Was it hoped that, due to it's proximity to the centre of Brighton town, The North Laines could gradually over-lay its humble beginnings and become an exclusive neighbourhood for the better class of person?


And this one green oasis in what had been an area of gardens on the outskirts of the Brighthelmstone's main streets? Was it hoped that the northern area outside the old town limits would, as elsewhere to the west of the Old Town, morph into picture-perfect squares with pretty little houses where the only people of the lower orders to be seen would be those attending on the good and the great all round them?

Was there hope that, in its old age, the area would sink into the refined and genteel sociability of the average English town?


It hasn't yet.  It's stubbornly clinging to its curiously diverse beginnings: where whores and embroideresses, schoolteachers and the destitute, lived parallel lives on either side of a notorious       * brick wall as divisive as the Berlin Wall. It's a place first inhabited by the hopeful and the hopeless. It was both profane and genteel, and it homed people from social and economic extremes.

How I see the North Laines may not be through the same lense as many others, but I find it endlessly fascinating; combining all it's colour and patterns as if part of a kaleidoscope. 


*The wall is still there. It forms (as it did in the 19thC)the back perimeter wall to the properties on Gardner St. And it forms one side of the alley known as 'Orange Row' .(Mrs.Simpson's blog http://www.rth.org.uk/node/925 discusses it further.) 











Comments

Popular posts from this blog

Don't Quote Me.......Failing our Children: Doesn't it Enrage You?

I subtitled a post "Don't quote me" a while back because I wanted to make it clear that what I was expressing was my own - vehement - opinion/idea which was not representative of any group or affiliation. Feel the need to to add this to the same category.     One afternoon, in 2016, I saw on my Youtube page that there was a televised debate between two American contenders for the presidency. Needing a break from the piece I was writing, and with the realisation that my outlook was becoming rather insular as I struggled to understand the Homeland I'd recently settled in, I poised my mouse and clicked. I can still remember the shock of that introduction to contemporary America; in fact I was in a state of shock for the rest of the afternoon. The spectacle of two grown - in fact elderly - people shouting, yelling, talking over each other, using personal abuse (and, dear gods, one actually stalking the other around the podium!) horrified me.  I was involved in a form of ...

Victorian Women. Period.

  The first time I ever acted in an historical play we were coached in the ways of walking as women of yesteryear did. Which didn’t seem at all strange to me at the time: at convent boarding schools we had been taught to walk the nunly walk: which turned out to be exactly the same method. But sanctified. I didn’t really understand why women used to walk differently then, and neither did my mother; who told me that her mother had also instructed her that a woman’s footprints should always be in a straight line: — one foot directly in front the other, as we’d been taught on both stage and in convents.  Yet it was only about 6 months ago that I suddenly had a lightbulb moment: women walked in that way because they menstruated! This thought didn’t arrive out of the blue; I had, by then, been researching the history of menstruation for months. With the help of the Brighton Museum I’d been able to start my research back in the Palaeolithic. Since then, I had become aware that apart ...

Our house was a very, very, very nice house.....

It started out as a late Victorian – or perhaps early Edwardian – family home. It steadily declined until such time as, with much fanfare, it had been stripped inside and turned into flats. The 'fanfare' was not not a figure of speech: there really was a fuss made – with coverage in the media which shows the lovely old place being officiated over by  local MP. Caroline Lucas. Our building was presented as part of an initiative to assimilate those on Benefits into the local community. The stigma of being banished to the further reaches of town to live in seething communities  in brick blocks would not attach to the lucky occupants of this building.  Its sympathetic conversion ( one or two original ceiling roses and some restrained ceiling mouldings have been left in place), while incorporating modern interior architecture, blends well to showcase apartments that would be the envy of many of those chasing accommodation in the private sector all over Brighton and Hov...